Art Forensics UI

You may have encountered several demonstrations on social media platforms. At Keras360, our art forensics user interface facilitates a multitude of protocols for comprehensive image analysis. Tailored to meet specific requirements, this bespoke product incorporates an interactive sensitivity feature for authentication purposes.

Our newly established protocol does not necessitate a substantial quantity of data images for authentication purposes. Given that most artworks are inherently unique and singular, and considering that some may have endured significant historical conditions and survived through wars, it is essential to implement a reliable protocol for artwork image recognition. The Keras360 forensics protocol will require only 13 images from each artist to accomplish the profiling process.

We invite you to view the video demonstrations of our art forensics UI. For an optimal visual experience, please allow the video to complete its buffering process before viewing. If you are interested in exploring the beta experiments, kindly visit: https://keras360.io/afbeta .

Want to know more about the Keras360 protocol? Just shoot an email over to contact.general@keras360.io !

Video 1: Segmentation analysis of image. Within our art forensics (AF) library, Sanyu-14 signifies the painting by Sanyu, titled: Goldfish, created during the 1930s to 1940s. A section of the image was cropped for the purpose of conducting an image search, and the embed sensitivity allows for the retrieval of a full image, provided there is an exact match within the data library. Generally, for the purposes of authentication, a segment of an image will only yield the top three potential artists or artworks.

Video 2: An alternative procedure. In specific circumstances, prior to the authentication process, images are submitted in their entirety for the purposes of basic recognition. An additional validation step may be integrated to verify both recognition and authentication. This subsequent step involves the distinct upload of a segment or partial image. In this instance, Syndics of the Drapers’ Guild (Dutch: De waardijns van het Amsterdamse lakenbereidersgilde), created by Rembrandt van Rijn in 1662, exemplifies this process.

Page last updated on 21st November 2025.